Focusing on a photograph of a migrant woman, known as the “Mona Lisa” of the Great Depression and a symbol of poverty, this study explores why photography embodies an indeterminate (im)possibility and how its latent power transforms into an event.
Un cuerpo para muchas yo
Vivre dans l'Allemagne en guerre
Appointment in Tokyo
Le 3615 ne répond plus
Titanic's Fatal Fire
Nelson Mandela, Beyond the Myth
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