Francesca Svampa’s dreamlike portrait of Barcelona, shot in double exposure on reversible 8mm film, is interwoven with Svampa’s intimate, reminiscent telling of her personal micro-memories, as a woman, filmmaker, and immigrant.
Once Upon a Vilnius
Delicacy
Històries de Bruguera
Corpos que Contam
Tihar's End (तिहारको अन्त्य)
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