Politically committed to the left, Romain Goupil, born in 1951, is the most eloquent representative of the spirit of the revolution of May 1968. From his first feature in 1982, Mourir à 30 ans (1982) to his latest to date Les mains en l' air (2010), he has managed to remain faithful to his ideals, quite a feat if you think of all of his fellow revolutionaries who have changed sides, lured by money and/or power. His films, whether documentaries...
Politically committed to the left, Romain Goupil, born in 1951, is the most eloquent representative of the spirit of the revolution of May 1968. From his first feature in 1982, Mourir à 30 ans (1982) to his latest to date Les mains en l' air (2010), he has managed to remain faithful to his ideals, quite a feat if you think of all of his fellow revolutionaries who have changed sides, lured by money and/or power. His films, whether documentaries or fiction, have failed -with one or two exceptions - to draw large audience but they will remain a mirror of a whole generation.
C ce soir
Dim Dam Dom
Fat Girl
Godard Mon Amour
A Christmas Tale
Room 666
Godard Cinema
Venus Beauty Institute
His Mother's Eyes
On the Road in France
The Easy Way Out
Hands in the Air
Les Glucksmann, une histoire de famille
Purely Coincidental
The Straight Line
10 mai 1981, le jour du grand soir
Rien dans les poches
À mort la mort !
Gustave Courbet: The Origins of His World
René Vautier, le rebelle
Marguerite Duras and the '68ers
Les Jours venus
Young Cinema: Godard and His Emulators
Half a Life