Pupi (Giuseppe) Avati was born in Bologna in 1938. After attending school and studying Political Science at the University of Florence, he started working at a frozen food company. At the same time, he developed a passion for jazz, becoming a proficient clarinetist. In the second half of the 1950s, he formed and played in the Doctor Dixie Jazz Band, of which Lucio Dalla was also a member.[3]
Although he initially intended to be a professional...
Pupi (Giuseppe) Avati was born in Bologna in 1938. After attending school and studying Political Science at the University of Florence, he started working at a frozen food company. At the same time, he developed a passion for jazz, becoming a proficient clarinetist. In the second half of the 1950s, he formed and played in the Doctor Dixie Jazz Band, of which Lucio Dalla was also a member.[3]
Although he initially intended to be a professional musician, Avati felt he lacked the necessary talent. In the mid-1960s, he decided to dedicate himself to cinema after seeing Federico Fellini's 8½ and its portrait of the role of a director.[4] Avati's passion for music, as well as his love for his hometown, which was the setting of many of his films, were to become recurrent themes found in his productions.
Domenica In
Venticinque anni di culto
Welcome Mr. President!
La voglia matta di vivere
Paolo Conte, Come Away with Me
Noi c'eravamo
Gian Luigi Rondi - Vita, cinema, passione
Pietro Germi - The Good, The Beautiful and The Bad
Painted Screams
Italy Possessed: A Brief History of Exorcist Rip-Offs
C'era una volta il prossimamente
La nostra magnifica ossessione - Bernardo Bertolucci e la sua generazione
Portrait Of My Father
The Day of the Two Holy Popes
Biasanòt
Boia, maschere e segreti: l’horror italiano degli anni sessanta
La Piazza che verrà, Bologna e il Cinema
27 aprile Racconto di un evento
L'incanto
Pupi Avati: Questa sera vi porto al cinema
Bava Puzzle
Alberto Sordi Secret
Vorrei sparire senza morire
Souvenir d'Italie