Norma Talmadge started her career in one-reelers in 1909 for Vitagraph, playing bit roles as a young teenager starting. As she continually worked at the studio over the next several years, her parts grew until she frequently started as the leading lady.
Her young promising career got a huge boost after her marriage to exhibitor Joseph M. Schenck. Together, they formed the Norma Talmadge Film Corporation in 1917 and began producing Star vechil...
Norma Talmadge started her career in one-reelers in 1909 for Vitagraph, playing bit roles as a young teenager starting. As she continually worked at the studio over the next several years, her parts grew until she frequently started as the leading lady.
Her young promising career got a huge boost after her marriage to exhibitor Joseph M. Schenck. Together, they formed the Norma Talmadge Film Corporation in 1917 and began producing Star vechiles for Talmadge. Specializing in melodramas and woman’s pictures, Talmadge became one of the biggest stars of the 1920s, starting in hits such as Smilin’ Through, Secrets, The Lady, and Kiki.
With her star already fading when the talkie revolution swept Hollywood, Talmadge made just two sound films before retiring from the screen. Although largely forgotten today, Talmadge was a pioneering producer and director who stood as one of the most popular and powerful women in early Hollywood.
The Lady
Show People
Fifty-Fifty
Screen Snapshots (Series 22, No. 10)
The Passion Flower
The Song of Love
The Children in the House
Du Barry, Woman of Passion
The Woman Disputed
Yes or No
The Way of a Woman
The Battle Cry of Peace
The Sign on the Door
Kiki
The Voice from the Minaret
The Law of Compensation
A Daughter of Two Worlds
Vampire of the Desert
A Lady and Her Maid
A Tale of Two Cities
Love's Redemption
Ashes of Vengeance
Sawdust and Salome
Within the Law