Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).
Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for wom...
Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).
Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard.
Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Les Rendez-vous du dimanche
Ciné regards
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
Je Tu Il Elle
Down There
In Her Own Words
Porto
Delphine and Carole
Pictures of Europe
Grands mères
Portrait of a Lazy Woman
Family Business
Son chant
Morceaux de Cannes
Seven Women, Seven Sins
Letter from a Filmmaker: Chantal Akerman
I Don't Belong Anywhere: The Cinema of Chantal Akerman
What Is Cinema?
Chantal Akerman, From Here
The Ministries of Art
The Man with the Suitcase
Mallet-Stevens Street
Chantal Akerman, an autobiography
The Beloved Child, or I Play at Being a Married Woman