Margaret Dumont would probably consider it a tragedy that she is best-known for her performances as the ultimate straight woman in seven of the Marx Brothers' films (including most of their best). By all accounts she never understood their jokes (offscreen and on), which is of course a major reason why she's so funny. Apart from a small role in a 1917 Dickens adaptation, she spent her early career on the stage, ending up with the Marxes in the...
Margaret Dumont would probably consider it a tragedy that she is best-known for her performances as the ultimate straight woman in seven of the Marx Brothers' films (including most of their best). By all accounts she never understood their jokes (offscreen and on), which is of course a major reason why she's so funny. Apart from a small role in a 1917 Dickens adaptation, she spent her early career on the stage, ending up with the Marxes in the late 1920s in the stage versions of The Cocoanuts (1929) and Animal Crackers (1930), and was given a Paramount contract at the same time they were. She played similar roles alongside other great comedians, including W.C. Fields, Laurel & Hardy and Jack Benny and also played straight dramatic parts (her chief love), but few of them made much impact - it is as Groucho Marx's foil that she ranks among the immortals, and she died shortly after being reunited with him on "The Hollywood Palace" (1964).
The Donna Reed Show
The Colgate Comedy Hour
The Dinah Shore Chevy Show
Racket Squad
A Day at the Races
A Night at the Opera
Duck Soup
What a Way to Go!
Auntie Mame
Bathing Beauty
At the Circus
The Cocoanuts
The Big Store
Tales of Manhattan
Animal Crackers
That's Entertainment, Part II
The Dancing Masters
Up in Arms
The Horn Blows at Midnight
Brother, Can You Spare a Dime?
Little Giant
Hollywood: The Dream Factory
Never Give a Sucker an Even Break
Stop, You're Killing Me